#Qlab remote control software license#
#Qlab remote control pro#
#Qlab remote control mods#

Also you should look at things like directional antennas and getting true diversity from your RF rig. RF coordination should be done during setup to avoid issues during the performance. TV stations are louder than wireless mics and take up a lot of space. Understand that with a UHF setup, you need to scan every time you change venues because TV stations are going to be different at each venue. That should get you by until you get more professional setup. Using 5GHz only will prevent you from screwing over your own show. Next is are you causing your own problems by using a WAP radio in the 2.4GHz range? Turn that off yesterday. Plus then everything is on the network and gain knobs aren't getting messed up during load in/out.ДЄbout the wireless troubles you are having, first is that cell phones don't live in the 2.4GHz range.

#Qlab remote control software license#

2 channels for something like $130, and then $40 software license and it can scale very easily. You might look into Audinate's AVIO Dante interfaces. People are talking about audio interfaces which really aren't meant for live sound, it's more geared towards studio environments. There are even cheaper things out there, like MiPro, but those are disposable. If anyone has recommendations for replacement headset microphones, we would be super grateful!ДЄ couple of manufacturers that I've used with small budgets are Audix and Audio Technica. So weвЂ™re hoping to find a pair of good musical theatre headset microphones that can still be controlled by QLab that donвЂ™t have the signal issue. (Which is generally for the best, as we get student technicians of all differing skill levels) The problem with the Samson mics is that the signal gets interrupted by everything - cell phones, WiFi, even the iPad WiFi. This way no technicians have to touch the show after weвЂ™ve set levels. The receivers are little usb sticks that plug straight into the computer and QLab is programmed to control them. Our current backup mics are Samson XPD2 usb headset mics. We remotely control the program from stage using QLab Remote (on an iPad), using a closed WiFi connection.

#Qlab remote control pro#

Currently, we run the show from our MacBook Pro using Qlab. HereвЂ™s the situation: We tour our musicals mostly to high schools and colleges, and the mic situation is always a gamble when we rely on the client. Hi, technicians! I am a touring performer with a scientific theatre company. We reserve the right to remove posts and/or comments that contain blatantly dangerous advice.

Always consult properly trained personnel when making any decisions on rigging, construction methods, or other areas of production technology that involve risk to life and property.

#Qlab remote control mods#

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